How-to
How to Make a Halftone Gradient
The fading-dots gradient look, from scratch. How the dots should change across the fade and how to keep it smooth.
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Practical how-tos for specific looks — risograph, comic dots, pop art, screen printing — and clear explainers of the algorithms behind them. Every piece pairs with the live tool so you can try it on your own image straight away.
How-to
The fading-dots gradient look, from scratch. How the dots should change across the fade and how to keep it smooth.
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Why colour halftones use specific screen angles for each ink, what the standard angles are, and how to avoid moiré.
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Dotted halftone backgrounds for websites, posters, and slides — building them, keeping them subtle, and exporting clean.
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Both turn photos into patterns of small marks, but they're built on different ideas. When to use each.
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Illustrator can build a halftone with effects and the Phantasm plugin. The native route, the limits, and a quicker option.
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GIMP can do halftone with its Newsprint filter. Here's how, where it gets fiddly, and when it's quicker to skip it.
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Procreate has halftone built into its brushes and filters, but it has real limits. Here's what's possible and the workaround.
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Figma has no native halftone filter. Here are the realistic options for getting dotted artwork into your Figma file.
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That gritty old-print look from a photo: the dot screen, the contrast, and the small imperfections that sell it.
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Combine two-colour duotone with a dot screen for a bold, modern print look. Picking colours and keeping it readable.
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How dithering creates shading and gradients in pixel art with a tiny palette, and how to use it without making mud.
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You don't need Photoshop to turn a photo into halftone dots. Here's the free, browser-based way to do it in about a minute.
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Dithering is how a few colours pretend to be many. Here's what it actually does, why it exists, and where you still see it today.
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The most famous dithering algorithm, in plain terms: how it spreads error, why it looks so natural, and when to use it.
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The dithering that gave the original Macintosh its crisp, high-contrast images. What makes it different and why people love it.
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Get that grainy, two-colour riso print look without a riso machine. The settings that sell the effect, and the export that keeps it.
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The dotted shading in vintage comics has a name: Ben-Day dots. Here's how to recreate that look from any image.
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The bold, dotted, Lichtenstein-style pop art look — how to build it from a photo with the right dots and colours.
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How to prep halftone artwork that actually prints clean on a screen-printing press, with the right dot size and export.
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